So I watched a video of this guy taking me through the analog mastering process, but I was wondering...

This is where I spent much of the last two days. I can admit being a little nervous having my mixes scrutinized in a room like this, but it all seemed to work out okay.

I have a lot of old projects made in Samplitude Pro X, which has its default Parametric EQ.

Whenever I open these old projects in Samplitude Pro X3, the standardized EQ in the objects is still the old Parametric and not the current EQ116. :confused:

Hello all! A little question:

When we right click on the AUX slot either in Track Editor or in Object Editor, 3 options appear: AUX/Output (Direct), AUX/Output (Pre) and AUX/Output (Post).

I know and understand very well about 'Pre' and 'Post', but I don't know what mens 'Direct'...

I would like to know what you all think about this: which, in your opinion, is the best workflow for mastering an album:

1 - 2 tracks (as traditionally compares to a game of chess);
2 - each song in its own track, so the project will have much more than 2 tracks (usually 10 or more tracks)

I work at a radio station and years ago my boss asked me to adjust the intro on Pink Floyd's 'Wish You Were Here'.
Quick reasoning is that the transmitter automatically calls everyone when there's perceived 'dead air' and the intro was tripping the transmitter so it needed to be beefed up a bit.

Hello. I'm an academic at Macquarie University. My colleagues and I are currently conducting a research project on mastering - how the practice is perceived and the impacts of 'DIY mastering' and online mastering services like LANDR. We're really keen to get the perspectives of professionals who master audio for a living.

T-Racks 5 is about to be released and one of the four new processors is the 'MASTER MATCH', that seems to be similar in the way that 'FFT FILTER SOUND CLONER' (a Samplitude's native plugin ) works.

I can be wrong, but at the first look it seems that the IK Multimedias' new tool is an interesting new way to do what SOUND CLONER does.

What do you think?

Without having made the retail market with any of my recordings I've done over the years, the mix demos I put online are essentially the only way potential clients are gonna hear my work.

I'm planning on possibly re mixing some old stuff, and a couple new things, to make my demo reel for my upcoming launch (2019) of my music site and freelance business.

Hi all... :)
Was hoping I could get an unbiased review of Ozone Elements; if any of my RO brethren has it or has used it, and could tell me what you think about it.
I've watched a few YT vids on it, some reviews, but was hoping my peers here could weigh in.
Thanks!
-d