I love the ease of use of the dbx 160, and I love its sound on lots of things like drums, bass and guitars. Can I use them lightly on vocals as well?

Anyone have an idea as to the Mic Pre Comp chain used by Motown? specifically, Temptations (DAvid Ruffin), Otis Redding.

So I got a DSP 7000. I mostly use it for f**ked Fx and reverbs. I never have really done the "harmonisation" thing on the eventide but when I have experimented with doing harmonies and double of a vocal I never really like the sound. When the pros use the eventide for a double what are the technical setting like usually.

I am doing this for the first time..

(I have about 20 tracks of vocals in a Beach Boy style)

I am digging it...

Discuss..

I will be back, when I have done my mix.. to say more

:)

Jules

Hey
I've recorded some vocals which sound good, but they just don't stand out in the mix, even though they're panned dead centre, and everything else is panned out.
I saw Inside Edition on ABC last night, where the host (Deborrah Norville) recorded a track with dance producer/remixer Junoir Vasquez.

I need a portable vocal booth- 1 or 2 person tops. Price is an object. Any suggestions?

Here is an email question I received from a friendly reader of the RO forums. Before I give my opinion, I think it would be helpful for him to hear some other opinions as well. Anyone want to chime in here and help him out?

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Hi Jon,

I was wondering if some one could run down their method for comping vocals in PT. I've got a pretty good grasp of the "takes" and all but I have a feeling that there is a better way than I have discovered to assemble the comp. (and probably more than a few methods out there)

Hello all,
I am tracking some vocals and have been trying to figure out how to set my compression. The singer's volume has lots of fluctuation in it due to his style, so I want to be careful not to over-compress the signal before putting it to disk. This is the setup I am using: (now don't laugh please, this is the best I can afford at the moment...)

Hi? I have yet anotha ? Under Nuendo after I record a vocal into the program, I compress the vocal with Nuendo Dynamics 2 plugin at 3:1:1, then I use the SPL De Esser to de ess at the maximum level, then I use the SPL Denoiser to denoise at setting A, am i going in the right direction to getting a "clear vocal"? Should I use BBE Sonic Maximizer to boost the vocal? If so wut settings?