For those that may be new to RO, please take the time to read

http://recording.org/threads/please-read-before-you-post.57560/

Hopefully you like it!

Hello all.

Hi everyone :D! I was very fortunate to find this forum while searching for drum mixing tutorials.

Sorry to bother you with a vst question but hope you could offer some advice on how I can achieve this particular snare/kick sound.

Here's a Metal Version of the Rolling Stones, "Play with Fire." I have made it up-tempo and rockin'. Rumor has it that the original recording was done by Keith Richards on Acoustic, Mick on vox, and to keep time, they found the late-night janitor at the studio to play tambourine. The original song referenced different towns in England, but my version has LA area cities.

For the consideration of RO's members.

I haven't tried it yet... just posting this as a possible solution for those members who may be looking for an easy drum composition prog.

So I'm new to recording I am using Pro Tool 10 running with PreSonus Digital preamp monitoring with M-audio BX5a's.

I have recently recorded a my friends band

Drums
GTR
Bass
Lead Vocals

I'm now at editing stage and wanted to stem out my drums so that it

Hi Everyone,
Some super frustrating news..
Just updated to El Capitan OS X (That's when this problem started)

Of course I've heard the argument that instead of reaching for pitch correction with a less than desired performance, you should find a better singer who can sing in tune. For me, seeing as that pitch correction is used in almost all "pop" music nowadays. And I focus primarily on recording "pop", melodyne and auto-tune are two core tools of my studio and buisness.

As engineers, producers and musicians, we tend to listen to songs differently than others do; the engineers in us will start to pick apart a mix, and listen for both the good and the bad; things that we love, things that we don't like so much... The producers among us will listen to the arrangement, and how the mix was approached, treated and printed.