Does anyone have any experience with Crest desks?
Were they known mainly for FOH work, or did they make Recording desks, too?

Hello guys,
I'm glad to find here, was't easy looking an audio geek community. I'm newbie...

I'm thinking to buy Bluebird SL mic for solo instrument and chamber and looking a portable recorder which is perfect matched to bird.

Hi,

I am recording a string section which consists of 6 violins and 2 cellos. We will be doubling ( by re-recording a second take ) the section and are concerned about potential phasing issues.
Does anyone have any advice as to how to avoid any phasing between the doubled parts at the recording phase.

I'm looking at upgrading my music PC and would appreciate any advice.

Here are my needs:

I have a client coming in later this week; a singer-songwriter who plays acoustic ( I don't know what model, he has several) and in our phone conversation, he was asking me about my mic selection; I gave him a general overview of what I had, and when I mentioned - in passing - that I have several dynamics, including an Electro-Voice RE20, he got excited with the idea of me Micing his a

What the best stool you've used for playing acoustic guitar?

• One that isn't squeaky, noisy and well padded?
• Would you choose 24 inch or 30 inch?

That being said, I was looking at the Taylor and Gibson stools. Gibson' s have sore butt reviews. There is nothing on the Taylor's but they look more comfortable.

For everyone who might be interested, but tagging Kurt (Kurt Foster ) in particular, because of his love for analog...

Hi, all! I'm a tech-challenged home voice-over guy. I have a Mackie board in the booth with me, but the phantom power for my mic actually comes from a separate Grace Design mic preamp outside. For "old school" phone patch, is there a way to connect either a corded phone directly, or via a Gentner MicroTel box, into the Mackie mixer for two way phone conversation with a client?

we've just lost another of the great pioneers of Rock & Roll. rest in peace Chuck.

Lenise Bent has some awesome credits.
She got started as an intern at Leon Russel's studio, went to school and ended up working at iconic studios like United Western and Village Recorders.

She worked on albums like Supertramp's Breakfast in America, The Band's The Last Waltz, and worked as one of Roger Nichol's AE's on Steely Dan's Aja'.

Enjoy.