Do I need an audio interface if I have a/d d/a converters?
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Hi. Just a basic question. I have a PreSonus firebox and a firestudio. I am going to buy some high quality a/d d/a converters (Not sure which ones. Thinking of getting a Universal Audio 2192 for now, but am also looking at the Apogeeda x16 and ad x16 and an RME 8 QS M) and some preamps (api 3124, Neve 2-610). Do I need an audio interface, or do the converters work in their stead?
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A/D/A Converter...
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I'm looking for a somewhat specific A/D/A converter of comparable quality to the fireface. Are there any 192khz sample rate converters out there that have between 10-20 line inputs, and no mic preamps? I can't seem to find any that have exactly what I'm looking for. I might just opt for a fireface 400 and a multiface...
Thanks,
Conor
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A/D/A questions?
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I'm about to pull the trigger on a 003 rig, but I want more inputs and I don't think I can afford a Digimax or the like. I love the idea of adding inputs via ADAT, but I'm hopping over the Digidesign because I want better A/D, and whatever I get I don't want it to degrade the quality.
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Why is MOTU considered the orphan stepchild of A/D/A's?
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Greetings all. I'm new here. I was on this board quite a while back and took a hiatus for a long time, but I've gotten into recording again.
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Are the A/D D/A converters part of the audio interface?
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Also,
Everyone says great converters is where its at. Which ones are good without spending a ton of cash?
I am thinking about buying a digi 002. But I heard the coverters are crap?
If I bought logic pro what interface would be best?
Just want to hear some opinions.
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A/D D/A converters 192,Apogee,Lynx Aurora?
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I need eight more IOs for my PT HD rig. I currently have a Digidesign 192 that is connected to a Dangerous 2-Bus summing mixer. The summing mixer has eight additional inputs that I would like to utilize. I'm wandering if I should go for another 192, or go with Apogee, or Lynx Aurora. The top of my budget is around $3300.
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8 channel ADAT D/A converter?
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Ok I have an RMEfireface 800 and a PreSonus digimax 96. Soon I plan on running both to a good board on mixdown. The problem is the PreSonus only has ADAT outs. The RMEhas ADAT in and outs. If I hookup the PreSonus to the rme, on mixdown, won't I only have the channels on the RMEto work with? I want to have 16 channels in and out. Should I sell the PreSonus and just get another rme?
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Vocal Air/Sheen - Mic? Pre? Comp? A/D/A? All?
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I record only my own vocals, no instruments. I'm a baritone, with harshness right at about 2k, singing mostly pop and easier-listening music. What I want to achieve is to be able to capture/produce the smooth, high-frequency air/sheen. I don't have the resources locally to demo recording equipment, so it's hit-and-miss, and so far, I've missed.
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Audio Interface and A/D D/A Convterter Question.
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There is a question I have been wanting to ask for the last few days, since i've been thinking about all the things I will have to buy to rebuild my studio.
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Removing D/A converters from an obsolete machine
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I got a hold of an Magneto Optical Disk Recorder (AKAI DD1000). It seems to be a very obsolete format and the machine actually doesn't seem to work. Someone told me that the A/D converters are pretty good, though.
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