EQing a room with nearfields
I've read that it is not recommended to EQ a room if you're using nearfield monitors. I've also read that it IS recommended to EQ a room if you're using nearfield monitors.
I've been mostly doing indie mastering (and some mixing), and just wondered what people thought about EQing the room (on top of treating it, of course) to get the flattest possible response.
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EQing for older sounds
I am interested in trying to replicate the sounds you would hear in a record recorded in the 1930's or 40's, that is, really lo-fi and tape hiss-y. How would I best go about EQing my tracks to replicate that sound successfully and authentically? I am recording on a computer using adobe audition. Any feedback would be really helpful.
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EQing the room - pros & cons
I know there are pro's and con's of EQing your room, but I wanted to get some feedback. I've been moving my monitors around, putting Auralex up (and bass traps), but I don't know if the overall effect of putting in a parametric or graphic EQ (with inherent phase shifts) is overall, better than dealing with frequency inadequacies and having to "learn the room".
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