Man, Antelope Audio is on Fire!

Reverb Warning!

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This looks pretty nice:

big image
http://www.hummingbirdmedia.com/data/edithtml/Images/eclipse_silver_back.jpg

All in a Two Space Rack Unit Called Eclipse 384

Antelope Eclipse 384's features

Hellos to everybody!

I'm currently building a new room capable of 16 input rec and 64out playback with Nuendo 4.

So I'm trying to figure out the most cost effective hi-end converter/master clock combo available with the best performance/price ratio.

I was originally looking into purchasing a Big Ben or Antelope Isochrone, but I now have an opportunity to buy a Lucid SSG192 for half the price (used). I think I'm gonna go for it, but is there anything I should know first?

May be a silly question but the worst question is the one that is not asked

Would you take a RME ADi 2 / Hammerfall with a Master clock ( ex Big Ben ) Over a Rosetta 200 with the firewire option

I posted this in recforums with little feedback:

When I purchased the 800, everybody said it was hands down a better clock. So I have the 800 as master, with a cable to the
Lucid Genx6 which distributes to everything else in the studio.

This seems a bit kludgey.

Right now I don't have any issues pertaining to clocking, but I'd like to find out if one could use the "word clock out" connection (on the MTP A/V) to sync and stablize other devices within a DAW? Such as multiple soundcards, digital mixers, samplers or anything that accepts word clock. Or is the Digital Time Piece more suited for this task?

Well...it's official...Apogee has created a clock box and let me tell you...IT'S A BEAUTY TOO!
Check it out.
http://www.apogeedi…"]Big Ben[/]="http://www.apogeedi…"]Big Ben[/]