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More direct path then Mic Pre->Mixer->AD converters ?

I am sure we would all agree that the ideal signal path would be direct from Mic Pre to line in of the soundcard when recording to a DAW.

However I still need to monitor the Mic Pre source, so what I do like many others I suppose, is to go direct to my line in on my small mixer and take a direct line out of that to the soundcard.

Best preamp/mic combo for recording outer space?

I'm working on a classified project for NASA to evaluate the possibility of detecting, remotely, whether it is possible to detect, the sound of a tree falling in a forest on earth from outer space. The classified orbital height will be 262,000 miles, embedded in a classified location on a large orbital body code-named "luna" (don't tell anybody!).