I'm so excited, I had to share my joy. I worked so hard, overtime for months on a job that gave me enough scratch to finally buy an M7. Its been a 2 year dream and everytime I had the money, something else came up and killed it. Finally.

I recorded a very short excerpt from "Shine On You Crazy Diamond"(for demonstration purposes only of course). The goal was to do a bit of a shootout between reverbs:

OK, phew, after searching for what seems like for ever I am really struggling guys.

I am at heart an old skewl analog boy, so with that in mind, I am used to things like Yamaha SPX 1000, rev 500, Roland SRV and the like.

Hi guys! just wanted to let you know that we released another video:

What is the best way to do it?

I want to make a wave file of my own locations to be used in the SIR plugin .
Thanks!

How loud is the fan on the Bricasti M7?

Does anybody know if tech exists to tune a reverb or echo effect to specific notes? I know that different room dimensions offer different resonating frequencies, but can this effect be manipulated electronically? Does anybody know of tools for that or transformation techniques to achieve it?
Thanks,
Dusan

I know this will elicit some very vague responses, but here we go.

On a typical rock/pop mix, how many reverbs are used?

- For instance, does each instrument get its own reverb?
- Is there a reverb bus that many instruments share?
- Are vocals or drums separate?
- When are plate reverbs generally used?

Thanks for any insight!

I don't care how much it costs, just want the best reverb plugin available. What is it?

Cheers!

I have a very nice spring reverb that I use between my guitar and my guitar amp. I would like to connect it to my studio patchbays and use it during mixdown.

It is a tube buffered unit...to be specific, a Dumblelator-type circuit with the reverb hard-wired into its effects loop.