Hey everybody! I am a high school kid, with a fair amount of recording experience with bands, acoustic projects, orchestra's, and internal instruments. My school has a really great recording program with macs that run logic pro. Unfortunately, I do not have the money to buy a mac computer for my home, so I have been running FL for 3 years or so.
studio
Hi, I'm in the market for a condenser mike and am trying to decide which one to get. I've read a lot on here and reviews on musians friend and sweetwater about the ST55, 66 etc. Today I went to a music store and had the chance to listen to the RODE NT2-A and the AT3035. It seemed as if the AT was a bit brighter maybe, the RODE had some neat features like dual diaphram, and other knobs.
Hi! I'm just getting started with recording and I got confused a little bit.
I have:
laptop Toshiba Satellite A500-1C0
midi controller M-Audio Axiom 49
mixer Mackie Profx12
phones Beyerdynamic DT 770 Pro
usb interface Line6 UX-1
I use:
Cubase 5
gearbox
Before I used FL Studio and Adobe Audition.
I have a studio question about my set up. I mainly do voice-over production...here's what's in my home studio:
Hi there,
I have recently changed my studio monitors for a new pair by a reasonably budget brand from Germany as my old ones which where great died.
Hey my name's Luke and I'm a 17 year old doing my A2 levels and hopefully going to do a degree in Music Technology at University next September.
I have been recording for six years now. I know a lot about recording, but I don't know a lot about setting up a professional studio. How do the pro's do it? Do they use interfaces? I know this sounds stupid to some, but I want to get the sound of the pro's. My recordings sound great, but they can be a lot better.
First time purchasing a studio monitors.
I have seen that (in the paper) the main difference is the range of frequencies they can play.
Examples:
1) Mackie HS624MK2: 45 Hz - 6 Khz
2) Mackie MR5: 60 Hz - 20 Khz (± 3dB)
2) Yamaha HS80M: 42 Hz - 20 Khz (-10 dB)
What does this numbers really mean?
Just got a AKG perception 220 an cant make my mind up about a Mogami studio cable or a Monster P500 cable if anyone knows what would be the better cable id appreciate the advice.
I am trying to track down a specific Flying Faders System. It was sold sometime in 2006 and may have been sold as a part of a custom 80 series Neve frame. The frame was customized to hold 48 1081s and had a custom monitor section designed by Steve Firlotte (Inward Connections) and Ian Gardener (Boutique Audio).