Hi Everyone,
I've been poking around on this forum for a few days and appreciate the level of education.

Here's my situation.
I am a countertenor (think classical opera singer male alto) who needs to buy the last component of my traveling recording setup.
I have my little MacBook and my 24/96 Firebox (it sounds good with clean mics).

greetings all,

my MR1's bundled mics don't do it justice. I'd like to replace with quality stereo mics to strengthen the link. i am willing to spend up to $600.
any suggestions?

thank you.

Hi all,

Hello,
I am new to this forum and wanted to ask if it is possible to use two different brands when recording with three omnis in a stereo decca tree set-up?
I want to use two Sanken omnis for the sides and one spot Earthworks mic in the middle.
They all have a flat frequency response.

hi all,
i own Korg mr1 portable recorder. the stereo mic that came with it is not that great. i need to buy a high quality stereo mic that will compliment the mr1.

greatly appreciated

Hey guys!

Just got myself a new portable MD recorder. One of the reasons was also to do some basic field recording. What I would like is a fairly decent microphone, to do some quality recordings. Looking at a budget of $100. (but if it's REALLY good, I might stretch it)

After some research I found the following main options:

I just got offered a good deal on a Sony ECM-999, (MS mic) and was wondering what, if any, opinions are out there on this mic.

Always on the lookout for a good stereo mic system, I like to keep my eyes open for deals, new products, etc. ... (Someday I'll buy another AKG 422 or 424!)

Hi

I record songs in a voice and acoustic guitar format (no other instruments). I'm searching for a nice stereo mic (up to about £500/$1000). I've tried the RODE NT4 but the tone wasn't quite there for me.

So I've been reading about variations on ORTF stereo mic techniques and all of the spacing and angle measurements. I've played around with them in the studio and measured with a ruler and protractor. But when I've used them in the field, I've just eyeballed them. Seems to me the only real drawback of this is that it might no be as consistent. What do you do?

Hi

I recorded some music with an organist (& myself on trumpet) in a church recently and I thought it would be interesting to use 2 different stereo mic techniques to see how they differ and which sound I prefer.