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Your Workflow from Final Mix to Final Product?

Hey guys, I'm in the final stages of producing my first Album. DAWS differ too widely to make that part specific (I'm using reason 6), but I'm concerned about screwing something up before I send my final product out to the copyright office, CDbaby, itunes, etc. I've listened to my mp3's on about everything I can find, from computer speakers to high-end audio systems.

LOGIC - WAVE L3 ultramaximizer and sample rate conversion and correct audio workflow

Hi, i have recorded a 24 tracks concert with an Alesis HD24 at 48 khz and 24 bit, i imported it in logic and mixed it, now, I am going to bounce on 2 tracks, to go to a mastering session.
so what is THE correct work flow, bouncing and sample rate conversion with logic and l3 at the end as last plug in?