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It seemed sensible, before starting to do the video on recording choirs, to explain a little about the differing techniques you can use to record 'real' stereo - as in recording the placement of individual sound sources within a stereo soundfield. Quite different from our usual multitrack method of panning the various tracks to their proper location. Recording with just a pair of microphones means we have to do the job in particular ways - and many of these have 'labels' - X/Y, A/B, ORTF, Blumlein, M/S and many others.

Hello guys, I would like to make a professional studio to record my drums. I already have an acoustically treated room and I wanna know what mics, preamplifiers, monitors, audio interfaces, mixer, etc. to buy?
I would like to obtain Weckl sound. What do you suggest me to buy? Thanks.
I currently have a focusrite scarlett 18i20 1st Gen, a jts 7 piece drum mic set and a soundcraft efx12.

Don't waste your good life
On Mona

There's no good reason to go there
You'll find out when she gets close
All too soon.

She'll bring you nothing but sorrow
And you'll start dreading tomorrow
Time is a thing you can't borrow...

"You Can Do Magic" is a song by singer-songwriter Russ Ballard that was recorded as a 1982 single by folk rock band America from their album View from the Ground.

America are a rock band that was formed in London in 1970 by Dewey Bunnell, Dan Peek, and Gerry Beckley. The trio met as sons of US Air Force personnel stationed in London.

Thanks for your family's service to our nation!!!

Grew up and has been singing America songs from the 70's.

Pray for Peace in our troubled world.  We can do magic!!!

In the videos I have been producing, we've listened to a number of microphones and how they respond to voice and instruments, but for completeness, we'd not heard them on voices. I'd been working on a little job where I'm creating a stage track for a person I've worked with for years and I always send him the stems, and a guide vocal. He then replaces that with his voice, and does another of just the track which he uses live with a real voice and the tracks. I thought it an opportunity to put out an array of mics and record my vocals on the different mics.

Alright, I was given a Shure SM 61 by my stepfather who is a professional musician and retired college music director. I have a live stream video podcast from my home studio. I run my audio through a Rodecaster Pro and I use Sterling SP 150 SMK condenser mics, of which I have three. I'm not well versed in audio. when I started the show, I had a producer who assured me I didn't need to learn any of the production or post. Well, he went through aa divorce and began taking two weeks to finish post, so I told him to get lost and decided to figure out how to live stream.

I've got a recording to do in a church on Saturday - it's a public event, and I'm going to record it for them. Not a church I have been to before, so I'm going to put up a heavy duty stand centre and am thinking maybe a chance to try out some more microphone experiments. As I think I can get up quite high I might be able to rig a pair of the 414s, in fig-8 for a Blumlein stereo pair and squeeze in M/S - with the ribbon I didn't destroy the other day and maybe the U87? I've not tried M/S with it, but I think I can make the 4 mics fit in the right places with a bit of 'bracketry'.

Make It With You, by the Bread

"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington.

The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942.

This song is for all our elders, as we honor their lives and contributions to our culture and heritage. May we find the courage and patience to love and honor all of their being, as they continue to inspire and love us!!!