Hi,
I already have a reasonable collection of microphones such as AKG 414 - solid tube - drum pack (C1000 etc) some Sure (SM57- 58 etc) an Audio-Technica and a few esoteric ones but...
I am on the look out for an ultra quiet Mic that i can record very very quiet sounds with (EG: a pin drop :) ) and i need one for under £500 !
Any suggestions would be much appriciated.
K
Comments
Thanks so far.. But can you tell me more? I'm open to suggesti
Thanks so far..
But can you tell me more?
I'm open to suggestions although my budget will only streach to £500 for the mic.
I'm also looking into new preamps. I have a TLA one at the moment and i'm quite interested in the Yamaha i88X specs for all round versatility but also the new Blue Robbie preamp.
P.S: I recently did a hiss test with my AKG solid tube, 414 and
P.S:
I recently did a hiss test with my AKG solid tube, 414 and Rode NT1 and although it was lacking in overall character, the Rode was the quietest. I'm not to fussy about colour in sound.. infact, i would rather there be no colour. I can manipulate it more then.
Thanks in adv.
K
kabb wrote: Hi, I already have a reasonable collection of micro
kabb wrote: Hi,
I already have a reasonable collection of microphones such as AKG 414 - solid tube - drum pack (C1000 etc) some Sure (SM57- 58 etc) an Audio Technica and a few esoteric ones but...
I am on the look out for an ultra quiet Mic that i can record very very quiet sounds with (EG: a pin drop :) ) and i need one for under £500 !!
Any suggestions would be much appriciated.
K
A Neumann TLM103 is about a quiet as it gets, but it does not provide a flat, colorless response. Generally, a large diaphragm mic will be quieter than small condenser mics. I have't researched the issue, but I'm sure you can find several LD mics that are quiet in your price range. Look for one that has a relatively flat response and good off axis response too.
preamp Elektor had a design for and ultraquiet high gain preamp
preamp
Elektor had a design for and ultraquiet high gain preamp for just this sort of thing. It was based on multiple cascaded Class A transitor stages. It's in the 301 circuits book. I reckon if you had a good quality electret capsule you could get very low noise results.
Edit: the AT-3035 would be a good starting point (very low self noise) perhaps build the preamp into the mic head if there's room - I have an AT-3035 on the way and will have a look,
http://www.dpamicrophones.com/ insanely low noise insanely fla
http://www.dpamicrophones.com/
insanely low noise
insanely flat response
and for some things insanely boring!!!
but for recording falling needles or space shuttles taking off (or whales singing) they're second to none!!!
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http://www.dpamicrophones.com/
insanely low noise
-- well, actually not. There are other with less noise, the small ones (micro stuff) is actualy rather noisy but it does not matter as they are used real close to the sound source. I think the suggestion of TLM-103 from Neumann is a good bet. In the lower price range the Rode-s in general are considered very noise-free (note, the tube ones gives a little more noise). One to try might be the Studio Projects B1 - very little noise for very little money.
Good luck
I think that the DPA miniature omni is going to be the one that
I think that the DPA miniature omni is going to be the one that comes closest to your price range, although it misses the mark by a grand or two.
The thing that you should know about mic manufacturers is that DPA is the only one in the world to include the whole mic in the noise spec measuring. Many mic companies do not include the capsule, some do not include the electronics.
Also remember that the A weighted measurements for noise mean that you need to add 10dB to that to get the real-world noise spec.
NT1-A is one of the lowest-noise mics out there at any price. I
NT1-A is one of the lowest-noise mics out there at any price. I hope you're recording sounds within close proximity though, because if you need to capture a quiet sound further than 6 feet or so away, you'd be better off with a good quiet shotgun mic which, while having higher self-noise, will give you a higher signal-to-noise ratio at distance than something like the NT1-A.
As someone else mentioned, the preamp is key as well, since you're going to be cranking the gain. And don't forget good quad cables!
Be prepared to spend a lot of money to get to that the level of
Be prepared to spend a lot of money to get to that the level of quiet. It is not just the microphone either. You will also need a preamp that is as quiet and is able to have low noise at high gain along with an environment that is quiet enough to record in.