Not a whole lot has changed except for the "smallies" -- Tyler Acoustics Decade D4M's to go along with the 6'3" D1's. Finally, "little, crappy speakers" that don't sound so little - or crappy.

I'm doing research on remastering to vinyl. As some of you know, I'm investing in analog gear and hybrid summing and now looking into digital to vinyl remastering as a fun side line. If you are doing this, I would love to hear from you. Here is an example of what I am talking about:
Vestax VRX 2000 Vinyl Recorder

I've been trying to master this song for one of my clients and everything I do doesn't seem to work the way I wanted it. I used a multi-pressor, compressor, limiter, EQ, low-cuts, stereo spread, everything. The way it sounds now is not the way I wanted it. I want it louder without clipping (if possible) and more crisp sounding, like actual songs I hear on CDs, and want it radio approved.

Finished mastering a CD over the weekend. Gave the Master CD to the band. Their response: "Matt, this sounds AWESOME! Only one problem: When I put it in my CD player it doesn't display the titles or anything? We need that."

Anyone here knows where to find electronic gadget makers and customizers? i have a product in mind..

Hey everyone,

I am a rookie producer/engineer who has mixed and edited a couple albums, but I have never mastered a full length project. Usually when I master I just compress, limit, and dither the stereo track. But I have been hearing of people mastering each mono track individually. Is this necessary?

-Clark

Hi. I just recently joined this literally 10 minutes ago lol. The reason for me posting this is because I'm considering entering this song to be licensed to a company looking for latin instrumentals to help get money for college. I still believe it has some work to do (especially since I'm using Fl Studio), but I would like some feedback on how it is and what could be improved.

Hi!

I have huge problem with recording from my Sandisk Sansa Clip+ [with rockbox]. I set MP3, 320kbps,48KHz. I can't re-record this. Does anybody know what should I do to restore this record?

I have tracked a recording of Bartok's 44 violin duets with a couple of vintage ribbon mics through a Manley tube preamp, while recording the reverb in the hall with a couple of sdc's, and I'm now mixing the album. the result is absolutely gorgeous but needless to say with that setup, I do have quite a bit of noise that I need to do something about. So my questions are these: