I travel a lot with my equipment and I finally decided to get some insurance on it. I found this on the Digidesign Users Conference - TDM for Mac forum. Anyone using them? Have you made any claims with them? Premiums seem very reasonable around 6.00 per thousand dollars of equipment and covers equipment on the road as well as the studio.

Cool, what categoies are there?

Compressors, Limiters,
effects
reverbs
etc.

I'm rushing out the door, please add to this ..

Hi! Did anyone test Eventide Eclipse?

I would like to buy it, but I am wondering it is worth tha amount of money?

best, Miha

I am in the process of builiding a new studio. I have the option to go to up to 9 1/2 foot ceilings. The room is not that large (23 X 12) and I'm thinking 8 foot ceilings would create a more controllable space. I mostly record acoustic bluegrass, folk, etc. but also have a drum kit and do the occasional rock and roll band.

Any opinions?

Something else I thought we could chew on:

Were you Austrailian guys caught up in all that?

Tell us about it!

Sheesh!

:eek:

Hey, lets make a list and start talking about the ones that work.

This is going to be very interesting but we need a list and then we'll start threads that are on going. Do polls etc.

Does this sound like a plan?

I apologize if this suggestion has already been put out there, but I'm always curious to compare/exchange mixes done entirely *inside* PT with others who are doing the same. This isn't an attempt to start yet another debate over the Pro Tools mix bus, math, etc. Let's just assume for a moment that there is some degree of wierdness there.

Stage managers/Producers,

Do you have a preference to a particular headphone type or to a particular model when monitoring a recording session?
The ubiquitous DT100's seemed to populate many studios at one time - (sound quality and/or ease of repair?)
Which closedback phones are the closest at giving a fair representation of whats happening?