acoustics

Hello! I have an impact noise attenuation question.

By audio specialist Eddy B. Brixen

Hi All,

I'm slowly moving in the direction of being ready to record and to this end have started looking into which acoustic environments best support recording the kind of music I'd like to record, i.e. classical music in its many forms.

Hi Folks. Does anyone know what materials they are using to build these panels and how they are constructed? To me it looks like they are using some kind of vinyl material for the membrane. I would order from them and do my whole studio space, but I'm located in Canada and the currency exchange on top of shipping and duty fees will really kill the wallet for no good reason.

I spent last summer working on a basement studio (installing a new ceiling of layers of think drywall on hat channel, making bass traps, and other treatment.) The space is now a quiet place to practice and record but it is too dead for my liking.

Hi all,

This is my first post, happy to be here.

The measurements of my room are as follows:

4.30m (meters) depth
3.00m width
2.70m hight

Now in my left corner is a small recording room made of plasterboard which is 2 meters in width and about 1.30m in depth.

http://phys.org/news/2016-02-absorbing-acoustics-soundless-spirals.html

Is there anything to this? Could this be a great idea for handling low frequencies in studios?

Is there already a thread on this?

-Johntodd

Hey all!

Thought this would be good for me, and hopefully a lot of people. As I look further into the massive amounts of literature, and grow increasingly interested in the more academic and theoretical aspects of music, it's become clear that I can't just absorb therotical physcial concepts, or circuit design, without a better understanding of the math and sciences.

My wife and I are moving into a new house. In the basement there's a spare room, that I want to turn into my new home studio.

Room size is approx. 236 sq ft/22 qm and 7.5 ft/2.27 m high.

Hi, I'm currently doing an acoustic treatment project at university. Subsequently I'm collecting research responses on the subject. So calling all acousticians, studio engineers or plain enthusiasts, if you could take a few minutes to fill in my survey i would be really grateful! Many thanks, Murray