i know many are using tape returns on analog consoles to excape the digital bus.

do feels high-end line amps are needed?

what are ya'll using aout there? suggestion wanted. i have a Tascam M5000 which of course can handle the tape returns, but ow good are users finding is needed to get a good sweet mix?

later,

Billy

well here's the biggest question for my DAW studio so far...after deciding that to be taken seriously as a commercial studio i would need an analog desk, i realised i don't know that much about them.

The studio I work at has come by one of these:

Has anyone any experience using one?
Is it intuitive to use?

What is the recall like on it?

I have been thinking of getting one. Is there a better console for the money?(I do like this one)

Has anyone on here used one?

Does anyone work or has experience mixing on the ASP8024 Analogue mixing console. I was interested in this board. or should I stick with my Mackie Digital 8 bus. I want to find someone who has worked or mixed on both or the ASP8024 Analogue mixing console. Thanks passionmax@ntct1.com

Need a little direction---Looking for a analog "mix-down" board----24 to 32 channel, 8 sends per, a quality 4 band eq with sweeps,,mic preamps do not matter--would like 90% of I/O on top of board--and would like under 3 feet wide>>>>>>so impossible? Not Mackie nor Behringer-(although the MX 3282 has the exact features--but looking for the next sonic quality up) Any hints?

Hello there,

my first post in this forum, though I've been reading it for quite some time already. The best recording forum on the net, wthout a doubt!

So, I've just purchased a Trident series 65 32/16 Console for a bargain ( appr. $5000). The console is working well except some minor flaws, which are easy to sort out anyway.