Hey i may have to run some 25-60ft runs of cable from an unbalanced source (cassette machine, reel to reel, Tascam m-30 mixer, record player) to the converter. The sources are on RCA type connections with 1/4" or XLR on the converter depending on what model i get. Im trying to transfer some tapes and records to digital, some personal, some commercial stuff.

I am currently trying to read up on this subject. My audio interface accepts either balanced or unbalanced 1/4" jacks into its inputs, and out of its outputs.

My new Millennia http://www.mil-medi…"]NSEQ-4[/]="http://www.mil-medi…"]NSEQ-4[/] arrived today. Its a beautiful sounding eq. After hearing this, I'd love to a have a few of these now. Actually, more like about 12 of them (one for each channel).

Hi, so I've got a Line6 Pod Studio UX2 (audio interface), and I'm getting a pair of Yamaha HS50M Studio Monitors. Can somebody look the two up and try to figure out what cables I need to hook the two up? Is it two TRS cables? Balanced? Unbalanced?

Thanks in advance!
-Josh

I'm looking at getting a new pre to go along with my Steinberg MR816.
I want something clean to go along with my sm7 since it is already a colored mic.

I bought a refurbished Focusrite Saffire Pro 40 (with full manufacturer's warranty), and I'm running into a problem (maybe with my brain). Here goes:

When I insert an XLR cable into any of the 8 inputs, the signal is fine...and angels fly. However, when I insert an unbalanced 1/4" cable (either a mic cable or from a preamp), the signal is so low it's unusable.

To convey an electrical signal through wire, two conductors are required. In unbalanced circuits, one conductor carries both signal and supplies ground, unlike in balanced connections. Because of this unbalanced circuits are less expensive to produce, but the down side is the cables are susceptible to noise, especially if lengths of over 30 feet are involved.

i've had a home studio in one form or another since 82 starting with a Yamaha MT44 4 track cassette and to this day i have never owned a balanced 1/4" TRS cable.
what the heck do they do?

I guess the question should be simple:

I own a Juli@ interface from ESI, it has always been a fantastic-sounding tool, and it's got a unique feature: it lets you swap the card into two positions, RCA unbalanced I/O and TRS balanced I/O.

I've been making music on synths, drum machines, bucketts and my computer for about 15 yrs now yet I've got no formal training. I realize that for long cable runs, it’s best to use balanced cables to reduce noise and grounding problems. What about cable runs (15 to 25 ft) to gear with unbalanced outputs like vintage synths?