Anyone have an idea what benefit Fab Dupont has by using the Dangerous Master in his mix rig on his 2-bus?

I heard it in this Sweetwater video on Dangerous Music products.

Man, I thought I had a handle on this but apparently not.

Using Samplitude, Sonar, Cubase, Logic, Reaper whatever... (shouldn't matter what DAW correct)? what do I need to get 16 channels of I/O to a Dangerious 2-Bus or my SPL MixDream and back into my DAW? ( not concerned with cable) just the converter options for now.

I'm a little confused on why most consoles have less buses then inputs available, whether analog or digital. It seems much easier when I'm working on a console that has a bus for each input track, then you can separate each mic/line to it's own track in your software.

Hey everybody I was just wondering if somebody (I'm sure everybody can answer this for me) could tell me what a stereo bus is and what its used for?

Thanks

I am looking for a good bus compressor plug for my new UAD-2. My #1 purpose will be a drum bus, #2 for rough masters. Anyone have any thoughts on these 2 and which they like better for what? I know its highly subjective (as are most posts), but that's the point! As always, I'd greatly appreciate any input. Thanks guys!

Is there anyway to cheat another aux out of a consloe, it would be nice to have another effect send ..

Hi all.

I am researching notebooks for a group who want full mobility with a small recording rig. This will involve bus power or even battery packs of some description obviously.

back again!

so ive been reading quite a few guides written by old school engineers and i see stereo bus coming up alot...and compressing stereo bus and all this jive...

Looking at a couple of comp/limiters for the 2-bus... I'm currently using a pair of RNC's in "fine mode", a DL251 or a 166 depending on the project/song.

I believe I'm really in need of a dedicated unit... so far the short list is comprised of L2, PL-2, C2 and the 1968ME.

Any thoughts or recommendations?

Hello folks,
I have a nice board for the studio. But I need a small 2-bus mixer for live work. I really would rather have the rackmount stuff. And I really only want a 1 or 2 space rack mixer with stereo outs.