Hi all,
I am currently writing my dissertation and would like too interview an engineer with noticeable credits.
Something very simple as responding too questions over email will do and won't take much of your time at all.

My email is James.cherry12129@gmail.com

Please get in touch ASAP

Grammy-winning Classical Engineer Robert Friedrich gives us an in-depth look at the recording techniques used when recording "The Carnival Of The Animals" with the San Diego Symphony Orchestra. Friedrich relied heavily on ribbon microphones to achieve the desired sound quality.

Ok im. confused...
My mastering engineer sent me a 16 bit wav file...I sent this to CDbaby for distribution. CD baby ask for a 16 bit wav file and no other format.
In conversation with the mastering engineer over Facebook chat.

Front of House Engineer Jimbo Neal takes us behind the scenes with the Brian Setzer Orchestra, showing how he uses Royer and Mojave Audio microphones to get Brian's live sounds.

Hello, I have been doing this for quite some time and well, i always felt like i was advancing in the quality of my craft, but recently i feel like since i cant go too school or afford classes that my knowledge of recording is very limited. and i was wondering if i could get tips to have my music sounding more professional.

Not that there are many Audition users in this forum it being marketed to broadcast production and post.

Hello Im Dynamic looking for a mixing & mastering engineer for Hip hop .

Hey so 2 years ago I bought an Avid Mbox that came with Pro Tools. It's this one- http://www.proaudio.com/images/Avid_MBox.jpg

I recently added a new interview to my Oasis website and thought that some members of this forum may find it of interest; Mike Marsh mastered Oasis's album Be Here Now in 1997 and The Masterplan b-sides compilation in 1998, and has based this article on detailed notes he took during the original sessions at the Exchange studio.