Skip to main content

Pre-Amp Levels: M-Audio Omni IO vs. . Focusrite Saffire Pro 14

I've had an M-Audio Delta 66 w/ Omni IO breakout box for around 10 years.
The Omni IO went crap, a couple weeks ago, and I just replaced it with a Focusrite Saffire Pro 14.
I did some recording (AudioTechnica AT4033SE), on the new Saffire, and I had to crank the pre-amp up a lot higher than I did on the Omni.

Best Mic Preamp/Guitar Amp Levels?

Hi, just wondering what difference it makes where and when levels are turned up and down int he recording chain. Is it best to turn a guitar amp up a ton, and then turn the track down in my DAW, or to have the amp lower, and turn the volume up more in the DAW. And for Micing vocals, is it best to turn the microphone preamp way up, and then the track level down in the DAW, or vice versa?

How low can you go(on the levels when recording acoustic guitar)

I am Micing an acoustic guitar with 2 condensor mics(not the greatest, but fair), using an ART Tps II 2 channel preamp, and a Korg D888. In the past I felt I have recorded with the levels too loud, not peaking, but with the gain high enough that it creates a guitar tone that is far from what I desire. I have found at lower levels the tone is more natural and warmer.

Levels for Samples

If you are mixing down individual riffs and phrases for an audio program in which the user could select a guitar or keyboard part etc. to mix into their music, how warm do you want the levels?

Do you normalize it so it peaks at or almost zero db? Or would you want to leave several db headroom? Any input from you pros greatly appreciated. Thank you.