I want to know what is the best way to split my live room signals (mics, lines etc...) so I can feed my analog board and my digital interface simultaneously? 

Hello, all -

(This is a new plan for a studio discussed in a previous thread in this Forum.
Cellar Studio Conversion: Sound Isolation of Glass Patio Doors & Window?
Since the plan has completely changed, I thought it best to begin a new thread).

I'm having trouble getting a natural sound for an Upright Bass (contrabass) in a live room with drums. I've been Micing the bass and distancing the player from the drums by 10 - 15 feet, i'm not an isolation junky so I don't mind getting the tracks a little messy.

Hi there,

I'm very new to the whole pro studio game as i've only been using basic home gear so far.

How can I record two singers in one take in the same room with minimum spill?

I was thinking of two cardioids @ 180º with 2m separation. I wonder though, with reflections and all what the spill will be.

Any improvements to be made on this?

We have only one live room, no separate vocal booth. Only solid baffles, no windows.

So I've got a few home studio questions.

I just learned about this device called "a snake" (I'm a newb, so what). It sounds like an incredible device and I found one on ebay for $30:

Hello everyone!

I have a large quite live and nicely sounding room available (~12m x 30m x 4.5m) which is quite live sounding and want to experiment a bit with recording there to take advantage of the natural reverb, as opposed to always using those very dead recording rooms.