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Description

Mastering engineers use technical expertise and superb ears to make the final adjustments to a piece of recorded music before it's released, heightening its impact and ensuring that it will translate well to the variety of playback systems in use today.

Interview with Mike Marsh, mastering engineer at The Exchange Studios

I recently added a new interview to my Oasis website and thought that some members of this forum may find it of interest; Mike Marsh mastered Oasis's album Be Here Now in 1997 and The Masterplan b-sides compilation in 1998, and has based this article on detailed notes he took during the original sessions at the Exchange studio.

How to become a Mixing/Mastering Engineer

It has been my goal for some time to be a full time mixing and mastering engineer. First, is this possible? Second, how do I get there? Besides the obvious job of getting really great at mixing and mastering, what should I do to get my name out there? How do I build business? I would love to hear how other proffessional mixing and mastering engineers have gotten there.

Mastering engineer expectations- what to bring

I am working on my own mixes, and plan to bring them to a mastering studio. Ideally, what is he/she looking for? Would it be a stereo mix on a wav. file? What kind of levels are the best for the mastering engineer to work from? Do most mastering engineers mind if the client is present while the mastering is done, say on a three song demo?