mastering engineer

Acoustik Musik, Ltd. prides itself on client service. Our clients have told us how important it is to communicate with us from the start of the project through to its completion. We have been in business since 1995, and have worked with major labels and artists as well as developing artists and privately funded projects. Our dedicated mastering studio and our 50+ years of professional audio experience ensure your music receives the attention and care it deserves.

For conversation I found this and thought it would generation discussion.

Hi all,
I am currently writing my dissertation and would like too interview an engineer with noticeable credits.
Something very simple as responding too questions over email will do and won't take much of your time at all.

My email is James.cherry12129@gmail.com

Please get in touch ASAP

Thanks,
James

Hi Chris and friends, many thanks for the welcome.

Hi gang :)
I found a very cool interview with Bob Olhsson on YouTube, where he talks about ALL kinds of interesting things. Things like EMT Plate Reverb, Chamber, (both of which at the time were known as "echo", not "reverb"!)
He also talks about things like the acoustics of the room; before Motown had their studio, it was a photography studio, and they had installed a soft pine floor so that they could nail gear down, (like camera tripods and such) and as it turned out, the soft pine floor ended up being a great thing acoustically for the recording studio. :)

Ok im. confused...
My mastering engineer sent me a 16 bit wav file...I sent this to CDbaby for distribution. CD baby ask for a 16 bit wav file and no other format.
In conversation with the mastering engineer over Facebook chat.
He has said that i shouldn't of sent the 16 bit wav file out for digital release because it was meant for audio CD replication and will be too loud.

I'm really confused because i thought there was no difference in the 16 bit wav file whether it be for replication or to be converted/encoded by music stores to mp3?

I LOVE THIS! Bob Katz home mastering studio. kick back and master.

Engineer Bob Katz, interviewed at Sae Institute in Paris, explaining how he became a recording engineer, and eventually, a mastering engineer.

Enjoy. :)

Am I sarcastic or for real? Well, I'm definitely really bent out of shape and wondering where all you Mastering Engineers are headed after the last post about how you all think gear doesn't matter.
So, this post is intended to create a ruckus and kick a few of you into gear lol!