I own a fair share of great dynamics, and a few mid level condensers. I want to be able to try many mics for different sessions/sources. I'm not trying to take out a 10k loan to buy 5 mics, which is why I'm seeing if there is a great rental option to try the various exotic/boutique mics out there, plus give different colors to my sessions.

Folks-

Hey everyone, I recently stripped all the old wallpaper and trim in my room and repainted it. I have a carpet coming in in a couple of weeks.

I know it's not an ideal situation at all, but my goal is to just reduce the amount of reflections around. The goal of the project is to get a 'better than nothing' kind of thing, both for monitoring and recording.

I work for a church, we're not recording but it does have to go into the board and sound good for services.

I know, you're supposed to record opera singers in acoustically perfect concert halls, but I'm on a budget and all I have is my 8 x 10 home studio which doubles as both a control room and a live room. My goal is to record live vocals over pre-recorded orchestra karaoke tracks to famous soprano arias.

I have two Behringer Truth 2031A

I have them ear height.

How far apart should they be?

this will be my first legitimate pair of monitors so plz feel free to flame my choice as it is too late at this point for me to send em back... anyhow the reason I picked these over others was that everything I read about these said that they are nothing special but are very flat. hopefully they live up to that. so the real question is about room placement.

What is the strangest place you have used to get that exact sound you or some producer was looking for. What place was it,closet,barn,Oven etc. and what did you use to get the sound?

Hi - I mainly use MIDI for orchestral scoring, and my main library (VSL) is completely dry. I've been reading a lot and experimenting and asking friends - I just can't wrap my brain around how to properly set an instrument further back.

Hi,