HALLO, PLEASE COULD SOMEBODY IN DETAILS TELL ME WHAT THE BASIC PROCESSES ARE FOR FRESH (DRY) RECORDED VOCALS. WHAT IS MOSTLY A GOOD THRESHOLD, ATTACK/REALEASE/GATE/ WHEN USING COMPRESSORS? WHAT IS THE PROPER ORDER WHEN YOU WANT TO APPLY EQUALAZATION, DELAY, ENHANCERS, EXCITERS AND REVERB?

Hi All:

Newbie on this forum. Wanted to get some feedback on upcoming purchases.

Will 64 bit Processing Improve summing? should I get into analog summing or wait for improvements that may come along with 64 bit processing?

Mixing & Mastering Peoples,

I recently performed a line input gain characteristic test on my newest piece of project studio gear (the dbx 386 Dual Channel Vacuum Tube Preamp), by which I compared the quality of a synth module piano program preamped via both the analog & digital sections.

Other than for vocal de-essing, what other uses do folks have for an equalizer "side chained" into their compressors? I was thinking that it might help with the overheads/cymbals issue. I'm assuming you could probably use it for most instruments but with what "rule of thumb" settings?

I am a Sonar 3 user and i have a problem getting vocals to sit in the mix.Does anyone have any tips on what kind of effect would work well on a DAW to make it sound sort of analog...Such as e.q. settings and filters.

Phase problems after Processing SD2 file with TComp/EXP

Hi!
I was "mastering" a Horn band album a few hours ago and then I faced this problem..
My client, the conductor, felt he conducted with a too low bpm.. yes, after almost 6 months of recording/editing/ production's day 01.

Ok, I could do the TC exp to every single track..OH My God...

Phase problems after Processing SD2 file with TComp/EXP

Hi!
I was "mastering" a Horn band album a few hours ago and then I faced this problem..
My client, the conductor, felt he conducted with a too low bpm.. yes, after almost 6 months of recording/editing/ production's day 01.

Ok, I could do the TC exp to every single track..OH My God...

There have been several threads going on around here forever about the virtues (or lack-thereof) of passing the signal through a compressor on the way into a software-based DAW (hard drive). I am not here to once again debate whether or not this is good idea, let's just say for the sake of argument in this thread, that it *is* a good idea.

Hi, I'm totally new to this game so please bear with me if I ask redundant questions. I've just started work on my first album (dance-techno) and have not been too satisfied with the quality of the vocal tracks.