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Description

RealTraps are real membrane bass traps that also absorb mid and high frequencies. This makes them a total solution for recording studios, listening rooms, home theaters, restaurants, auditoriums - anywhere economical yet very high performance acoustic treatment is required.

Soundproofing wood shed... worth the effort and cost?

Hi folks! New to forum here. Before I begin, please know I've searched forums & threads far and wide on the topic of soundproofing sheds but just had some questions I've never seen fully answered, as well as having bought and read the Gervais build-your-own-studio book.

room treatment to reduce reverb/echo

Dear Forum, I have a home studio that I use for doing sound design for theatre, mixing acoustic theatre (theatrical installations and radio drama) and composing electro-acoustic music. I'm gradually diminishing the reverb in the room and I'd like some advice please on further steps I can take on a low budget (we renovated this house recently so I'm doing things slowly!).

modal prediction of non-rectangular room?

Hi,

Just wondering if anyone knows a way to guesstimate -with any degree of accuracy- the modal response of a room that takes the shape of an "L"

I remember reading (maybe in Everest's 'Handbook'?) something about sectioning off rectangles/squares but what then? Is it possible to predict these modes at all? (as a whole)

SE Reflexion Filter

I'm always looking at portable devices. Also looking at the SE Reflexion Filter specifically for using a Royer ribbon which is a figure 8 pattern. I'm thinking this might help absorb the back end of the Royer making it viable way to record vocals with them in less than desirable room.

Anyone ever use one of these? Over 200,000 sold already.

Where to place broadband panels?

Hey everyone, I recently stripped all the old wallpaper and trim in my room and repainted it. I have a carpet coming in in a couple of weeks.

I know it's not an ideal situation at all, but my goal is to just reduce the amount of reflections around. The goal of the project is to get a 'better than nothing' kind of thing, both for monitoring and recording.

Room Treatment Priorities

I'm about to set up my first studio for mixing. It's a small, roughly sqaure room. I want to set up enough treatment so that I can be comfortable that the acoustics of the room are not affecting my mix to any noticeable extent. Of course there are numerous articles and examples on how to do this on the net. Here is a good one: