I'm trying to decide on a mic for a contrast to the SP C1. While I like the C1, I would like another mic that is not as hyped on top for vocals and other applications where you just might not want that "somewhat overboosted" high-end . I guess I'm looking for a little warmer sounding mic. I have a SP C1, 2 SP B3, 2 SP C4, 2 SM57, d112, ATM25. Preamps are Langevin DVC and Sebatron vmp-4000e. The projects I do are mostly blues, country, and a little old classic rock. I'm currently looking at everything I can find about these:
Shure SM7B
EV RE20
AT4047
ADK A51TC
Oktava MK 319-are you likely to get a "GOOD" one from sound-room?
I am wondering what some of your experiences are with these mics.
I want a good mic for vocals, but one that is going to be as versatile as possible for instruments, too. What are your favorites? Is there a standout in this crowd?
Thanks
Comments
I have a pair of Mk 319 and they are great- the only draw back i
I have a pair of Mk 319 and they are great- the only draw back is that they don't sound the same- in fact, they are not even close! One is airy and the other dark- go figure! so its hard to use them as a pair- on the other hand, they both have useable sounds and I use them according to the situation-
maintiger wrote: I have a pair of Mk 319 and they are great- the
maintiger wrote: I have a pair of Mk 319 and they are great- the only draw back is that they don't sound the same- in fact, they are not even close!
Have you opened them up to have a look at the components? My MK-219's have what I am presuming is the same date range (2002r), and have completely different capacitors including the coupling caps. This could make a big difference.
Well, mine sounded enough the same until I cracked them open and started hacking on them, and now they sound different. One of them is airy and yet dark. The other is more present without as much extension.
maintiger wrote: that's what mine are like without opening them
maintiger wrote: that's what mine are like without opening them up- I'll take a lokkk tonight and see-
cool, just curious.
FWIW the (intentional) difference between mine is that the resonator (plastic disk thingy) has been removed from the diaphragm on the darker/more-airy mic and is left in place on the brighter mic.
dudge wrote: Do you guys think I would be better off to get a MC
dudge wrote: Do you guys think I would be better off to get a MC319 from sound-room and pay the bigger price, or take my chances with some used ones and hope for the best? Does sound-room pick thru them to get "good ones"?
I don't know much about how the sound room selects them. If it were me, though, I'd do neither of these things... I'd find a local Guitar Center and go in and audition about 20 of them and pick one out for yourself. Bring your C1 along for comparison.
I just ordered a MXL V69ME at Dan Richards suggestion, and becau
I just ordered a MXL V69ME at Dan Richards suggestion, and because I found one new on evil b for $275.00 US shipped. Ya, I know some people like them..... some think they are cheap crap, but I thought I would try it and maybe try to find a used MK319 also. Maybe I really should get a MD421, too...........................GAS (Gear Acquisition Syndrome) .............................got it bad..............must................ resist......................can't stop...................... :? :wink:
I have modified MK-219's that would fit that bill pretty well.
I have modified MK-219's that would fit that bill pretty well. Same kind of detail as a C1 but not nearly as hyped top end (actually very un-hyped top end, rolled off even).
Modifying the grill is necessary (and pretty easy) and removing the "resonators" is optional (and not so easy).
I guess the MK-319 already has the grill worked out.