Second mic: Sennheiser ME64/K6P shotgun.

Plugging in either the K6P power module alone or with the mic gave me only some clicking and popping. I managed to make the thing work properly already - there was a broken trace on the flimsy PCB-ribbon-whatever where the XLR solders in. The problem is that I don't have the metal tube that covers everything. If anyone has any suggestions where to get one, let me know!

Third mic: Electrovoice RE20.

Missing the XLR/mount from the bottom, the HPF switch, and all the foam from the inside. Second picture shows that the wire going up to the diaphragm is torn right next to the binding post. Doubt I'll be able to get this one working, but if you have a suggestion, please post!

Fourth mic: RCA type 77-D.

Sure looks beat up. The wiring at the bottom is pretty chewed up, but should be workable.

I opened up the top of the mic and shone a flashlight through, and it looks like the ribbon is torn and dangling. It's unlikely I'll try and fix that myself.

send the 77 to http://www.wesdooley.com Wes Dooley. he has original ribbon material. Contact benMicDaddy.com for the RE 20. here's a link to https://www.google.com/search?client=browser-ubuntu&hs=j7b&channel=fe&hl=en&biw=1128&bih=616&q=sennheiser+product+support&revid=5549545&sa=X&sqi=2&ved=0CG4Q1QIoBmoVChMIm9vUlOiNxgIVikuSCh0BGAA4 sennheiser repair . they have repair information sheets available.

<< Cue the Sara McLachlan music >> won't you give these poor abused microphones a good home?

A suggestion on the 421: The shield should end up on Pin #1, so rather than try to rework the mic - why not build a special mic cable with #1 and #3 reversed on the female XLR end? ( if you feel #2 is correctly wired to the hot ). In any case, it's got to be easier to re-work the cable rather than fighting with the mic.

Kurt Foster, post: 429870, member: 7836 wrote: send the 77 to [="http://www.wesdooley.com"]Wes Dooley[/]="http://www.wesdoole…"]Wes Dooley[/]. he has original ribbon material. Contact benMicDaddy.com for the RE 20. here's a link to [[url=http://="https://www.google…"]sennheiser repair[/]="https://www.google…"]sennheiser repair[/] . they have repair information sheets available.

Thanks for the contacts, I'll save them for later - I'm a broke student at the moment. Same with the Sennheisers, I'm trying to fix them on the cheap, hence why I'm trying to crack open the 421's connector. I'll try and contact Senny for the tube on the shotgun, but I don't think it's likely they'll sell me that part directly. I wonder if I can contact

dvdhawk, post: 429874, member: 36047 wrote: << Cue the Sara McLachlan music >> won't you give these poor abused microphones a good home?

A suggestion on the 421: The shield should end up on Pin #1, so rather than try to rework the mic - why not build a special mic cable with #1 and #3 reversed on the female XLR end? ( if you feel #2 is correctly wired to the hot ). In any case, it's got to be easier to re-work the cable rather than fighting with the mic.

Hah, I do hope to be a great home for these poor abused mics!

On the 421: I had that thought, but it's a transformer coupled mic, and the transformer inputs would still be going to pin 2 and ground on the capsule end. I'm also not certain whether the HPF connects before or after the transformer - if before, it might not behave properly.

Do you know which 421 you have? ( there are several different models of the 421, each with different signal and ground pins...)

DonnyThompson, post: 429877, member: 46114 wrote: Do you know which 421 you have? ( there are several different models of the 421, each with different signal and ground pins...)

I'm not certain, as I have zero experience with the 421's, but I'm pretty sure it's a 421-2. I can't find any markings on it, inside or out, so I'm not certain if the guy who gave it to me peeled the stickers off, or even if it's a real Sennheiser.

http://www.themicrophonevault.com/senMD421.php

You can get a good signal with the alligator clip cable, just replicate that pinout.

If you have an oscilloscope on your bench you should be able to determine which pin produces the positive impulse from the transformer.

dvdhawk, post: 429889, member: 36047 wrote: You can get a good signal with the alligator clip cable, just replicate that pinout.

If you have an oscilloscope on your bench you should be able to determine which pin produces the positive impulse from the transformer.

The transformer is actually inside the XLR plug section (not sure what to call it), right above the HPF ring. I can create any adapter I want from the XLR end, but the mic isn't feeding into the transformer properly. I have to fix it before it gets to the XLR.

And I do have a scope here. I'll test polarity later.

Hello, have you fixed the RCA 77 yet?

They’re all total junk, not worth spending any time on, but to save the planet, I’d gladly scrap them here in the UK and happily pay the freight. Honestly thinking of the planet, I promise.

They’re all total junk, not worth spending any time on, but to save the planet, I’d gladly scrap them here in the UK and happily pay the freight. Honestly thinking of the planet, I promise.

paulears, post: 466535, member: 47782 wrote:
They’re all total junk, not worth spending any time on, but to save the planet, I’d gladly scrap them here in the UK and happily pay the freight. Honestly thinking of the planet, I promise.

Good man Paul. Doin yer part for the Planet:LOL:

Looks like you are in my area, if you need a hand just let me know.

Its an old thread kids.

Doh