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Panning Pop and RnB Background Vocals

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Submitted by anonymous on

I've been studying several RnB and Pop mixes. I've noticed the separation that they get with the mixes among the backgrounds, leads and the instruments. It seems that the backgrounds are often being panned hard left and right with the leads, kick, bass and snare center. The instruments such as keys and guitars seem to be at 3,4,8 and 9 o'clock. Is this how you guys mix these types of music? I'm making reference to mixes like Toni Braxton's album, Brandy's album, even Celine Dion's album.



Does my assement of the panning taking place sound like what's really going on in those mixes? Even so, how does this translate to well balanced mono compatability, given the hard panning of the backgounds?

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falkon2

Two things I can think of are-

- mono compatibility becomes a problem with phase relationships (copy/paste tracks and add slight delay causes major phase relationship problems, while tracks recorded from two different takes have less headaches)

- The backgound vocals aren't center-stage - they just add to the fullness of the sound, so minor phase cancellations will not be as obvious as, say, in distortion rhythm guitars in a rock song, or the reverb of a snare.



Just my thoughts.

Sun, 06/15/2003 - 23:36 Permalink
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RecorderMan

Originally posted by falkon2:

copy/paste tracks and add slight delay

never do this....it sounds like comb filtered shit and does not succeed in acting as a "double".

When a double is necessary, get them to do it. Or if your in the practice of having them sing multiple takes and building a comp, use your 2nd best takes and build a double comp. If your using Pro Tools, the "vocalalign"

audiosuite plugin works wonders at lining up the duoble to the original.

Mon, 06/16/2003 - 09:06 Permalink