Greetings all,

I got an Apollo Twin MKII Solo (all stock plugins) running into a Shure SM7B with a Trace Audio mod (+25dB clean boost) and my mic is inside a Kaotica 7B since I can't really treat this place well.  I can do that after we buy a house but for here, I need to occupy as little space as possible.

I have this mixer but the power connector has come off on the back and no idea where the wires solder back to the power connector so if anyone knows how to solder the connector and what colour goes to each pin i can then repair the mixer 

What gear is necessary for recording insect vibrations and sounds that are outside the range of human hearing?

Hi folks,

Greetings,

I have an older, used, "patent pending," Shure 545S Series 2 (pistol grip) microphone, and I'm gradually fixing it, having first reassembled the switch in the handle section.  I do get sound from the mic, but it is a little on the quiet, "hollow," and less low-frequency side.  I'm using it as high-impedance.

Been working on this for awhile now played everything but drums and sing. Mix feels pretty decent appreciate any critique.

We have been working on this for the past two and a half years and it is finally finished. My tech wiz, Rhys Davies, built the whole unit himself and wired it. We had lot of changes along the way but it works GREAT and we got exactly what we wanted. S/N -95.5 dBM, Distortion .0005%, Frequency Response 20 t0 20 KHz +/- .5 dB.

I had to fix my computer - lost the licences in a silly mistake, so to check all was back up and running - I tried recording some stuff and it sort of turned into a song - The only mics I'd not taken to the other studio were two very old Shures - SM61 and 63 - both omnis. quite a bit of wind noise and a bit poppy, but not really much I could have done without going and getting some stuff.

Picture of our updated mastering studio. My interns and I have been working on this since the beginning of summer. New bass traps, all wiring redone, new setup of the mastering desk and all equipment checked for proper operation and phase. BIG JOB FOR MY INTERNS AND THEY DID PROFESSIONAL LEVEL WORK!!! 

Hey I've been thinking about setup of a new template.  I generally use a fair bit of bussing for submix/groups. Like grouping the kik and snare and tom drums to their own bus, then feeding those busses to a drums bus. Ditto for vocs guitars keys ect.