Hi there,

I'm looking at some sort of device or equipment that I could use to sweeten up the digital sounding outputs of my PreSonus Firestudio. Basically I'm using it the output to send it to effects or anywhere in the studio chain.

I'm not talking about actual gigs that go south of the suck line... I'm talking about bad dreams that are gig related...

Ever wondered what those grooves really looked like up close on your vinyl LPs'?...

Here's a new song of mine - came together pretty quick - interested in any mix critique and also strategies to tame the lead vocal - I'm not sure exactly what I'm trying to do - I don't think it's just volume envelope I'm after, but I don't know if I need some sort of compression or limiter or something to keep it out front but taming the idiosyncratic phrases or loud parts.

Are you interested in hybrid audio. Here is a look into what hybrid mixing, summing and mastering is all about:

This is my most recent hybrid build with some added videos from a few guys explaining the process a bit more.

What's up everyone. I'm new to the recording scene and I'm wanting to learn more about it. I'm currently using Behringer umc202HD interface on windows 10 and for now running a trail for Studio one 2 DAW. I'm basically wanting to learn more on how to record metal music is what I'm into. And I'm wanting to know what is a good daw for recording mixing and Mastering.

Up until now as I've worked in Reaper when I render my project I've done an all or nothing kind of thing - rendering everything as the mastermix and I realize there may be some limitations on this.

Now my computer is powerful enough to handle this - lot's of headroom with memory and CPU -- I'm assuming I shouldn't lose quality with this approach but I may be wrong.

Hi Guys - I've been working on this since December and it has been out for vocals for a while now - it's looking like my vocalist may or may not be indisposed so I thought I'd post it here in this mix sans vocalist and see what you think.