The much-anticipated Studio One 3.2 update is here with over 50 new added features including

• Mix FX and The Console Shaper
• The new "Smarter" Arrow Tool
• VCA Faders
• The new comping workflows
• Editing enhancements

The link below has a half-hour video that takes you through the features listed above

Hey everyone! Can you take a listen to my mix and master of a cover I am working on "Sun Daze"-Florida Georgia Line. I would love any comments or criticism! Im not sharing the whole thing for copy right reasons, but let me know!

1: mix

2: master

http://recording.or…

Hi All -

I've got a new one to share. This week's songwriting club phrase/word was 'toxic." Another last minute "a-ha" and my wife having me on a "juicing reboot" were the inspiration. Hope you dig it! Thanks for listening.

Tim

[MEDIA=soundcloud]timbrogdon/toxic[/MEDIA]

As the owner of a small commercial studio, reliability and return on investment are critical to me. We all know that full timers like me are in it for love, not money. I buy ‘A’ stock equipment and software from reliable dealers so I have the assurance of customer support. A failure in the middle of a session is an unrecoverable business loss to me and the artists I work with.

Female vox to be recorded eventually, thanks in advance for the comments / suggestions!

https://www.reverbnation.com/stark4machines/song/25167922-inhaler

http://recording.or…

https://blacklionau…

What do you guys make of this. I'm wondering how companies like Antelope make a, so called "world class" converter, then a few months later Black Lion Audio upgrades it.
They also offer the improved clock, which the 10M made no difference to my ears, so how could this clock improve it?

I owned the Taylor 314CE for years and passed it off to my daughter. I need a new Taylor or something comparable to be able to earn some extra income. I don't really want the electronics. I'd much rather have nothing inside the box.

This is a popular question. I've been in some preliminary talks with a potential new client for a design and supervisory role on a new home studio build in my area.

The obvious question is how much, the reply, well. . It depends. So many variables exist in studio construction it's very different than any other type of construction in a home.

andre linked this paper, and I thought it would be good to have over here, just for general interest.

The discussion was based on 'house curve' where studios tend to have a response that has a boost in the lows and a dip in the highs.

http://www.bksv.com/doc/17-197.pdf

I'd be thrilled if anyone can offer advice with anything I can do to this track.

The situation:
The recording was made at an Old Town Hall in this room. It's so reverberant that when I got there to set up it was just the organizer and myself talking from opposite sides of the room and could barely hear what he was saying because everything was bouncing off the walls like mad.