Samplitude Pro X2 Suite
Version: 13.1.3.176 | Filesize: 60.03 MB

Sequoia 13
Version: 13.1.3.176 | Filesize: 101.78 MB

Here's one for DonnyThompson. I know your mix is not finished yet but I was playing with the file and one thing led to another. Here's a preliminary master:

You can tell the file has been through a few mp3 conversions though.

-Chuck

AM-Pulse is often mentioned as a great tool for mixing purposes. This is a partial truth, and it's about this great (and forgotten) plugin that I would like to write now.

An update of a jazzy-funky kinda thing that my client and I have been working on for his album.

I'm experimenting with using a different pan law in Samp... curious as to how this might effect the mix and the translation to other member's playback systems...

New unfinished tune. 2 and 3rd chorus vocals not in. All thoughts welcome

Link removed

I like to master CD projects, so I did a lot of setup to leave Samplitude with a "specialist" environment in this type of purpose.

This is my favorite GUI, I use 99% of the time:

I would like to synchronize the parameters of both Samplitude (VU) and the AM | Munition, in order to make both have the same measurement on the same real time.

I tried to change the decay time and peak hold (AM), but the graphics do not reflect the same reading of the audio at runtime.

It should be assumed that mixing tracks that were recorded well to begin with makes for smoother mixing sessions.

But which do you personally find to be more difficult (or, accordingly, easier) -

Getting the sounds rights to begin with during the Tracking stage?

Or,

This will shed some light on Samplitude > Mixing with VCA’s
http://www.Samplitude.com/en/tutorials/Samplitude-academy-mixing-with-vcas.html

So, I was unsure if this was the right place to post this; but it seemed to be the place I feel those who would have the answer would likely be reading.