Hi, I found this 10 plus years ago and put it in the "to fix" pile and finally got it up and running recently. Tried to find some information on it but only got some
listings in studio equipment on site hits. Quality components and sounds good but was curious to its origins. Have it racked with a Furman submixer.
Thanks

I have a back room in my studio that is used as a gear docking area or back the van into etc to unload gear. the walls around it are sound proofed. I want to use it to put another guitar cab in. I was thinking of just making a closet with 8" insulation on the top, 2 sides and bottom and just pointing the amp into it. Will this work or should I build a whole iso cab?

I just purchased a pair of Paradigm Mini Monitors on eBay to be used as my main nearfields for mixing and tracking. I have been looking for some new nearfields and after comparing these to my "really" cheap JBL's they were the way to go. Now I will be able to hear the bass content of my mixes, not just hope that it's there.

Recently I've had a couple of projects come thru my place w/some SERIOUSLY loud drummers/guitar players. Marshall stax, 5150, etc. and I'm afraid my current cue mix setup was pretty much woefully inadequate.

I have heard again and again that you can get a big sound out of a small amp. I don't really understand how this is possible, and was wondering if someone could expain this phenomenon.
I am after a Guns&Roses (Appetite for destruction) kind of sound. Or a Lynyrd Skynyrd (That Smell) sound. Can I get this with a fender champ or little danelectr?

I have the opportunity to buy a Crown Dc 300 amp but have little knowledge about amps and their prices. He is asking $275 and says the unit is in near mint condition.

I use NS-10's but am thinking about selling them and buying a pair of Tannoy Reveals.

Anyway, I'd love to hear what you guys think of the amp. Jules?

Thanks

I have been playing around with the idea of assembling several of my outboard preamp and EQ modules into a small 4x2 console. I still
haven't figured out what to do about the two required summing amps. In general, I am using existing modules for all functions, but summing

there max power is 70 watts each, i have a stereo receiver givin it power now..is that good enuff?

I have always recorded using good guitars and amps (and players when we get them :roll: )so much so that we have a fairly nice collection of both here at the studio. But I have also been reading that the PT guys really like the Amp Farm. Assuming that the Pod is some what the same I am curious as to what everyone thinks about the Pod and what are some of the things you do with it.

One of the weaker links in my current setup is the Samson 240 power amp I'm using to drive my Event 20/20 monitors. Not only is it, well, a Samson, but it's a mite underpowered at 120 watts a side (the 20/20s are rated at 150 program/200 peak).