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FMR RNC & GT Brick hookup problem!

I noticed that my Brick has a balanced output but the FMR RNC needs an unbalanced input!

How do I handle this? Can I "unbalance" the line before it hits the RNC?

Out of curiousity I tried going into the FMR RNC with a balanced cable anyway and it works but there is some hum. It's also pretty low level and I have to crank up both the Brick and the RNC to get decent levels.

Key Features in a Compressor

Hey, I am currently in the design phase of my new compressor. I want to continue my pink noise filter in the control path concept, as well as add a few more filters. Plus I want to add a parallel compression idea to the unit. I was wondering what your thoughts are on these concepts and what other features you might find useful in a compressor.

Good compressor/limiter plugin with Input Gain? Signal Chain

I am looking for a good Compressor/Limiter plug In for mastering.

One kind of like Sony's Wavehammer with these options.
Options:
Has an Input Gain fader(Wavehammer does not)
Allows Peak and RMS Compression
Ratios up to 50:1 or higher if possible.
Offers a Limiter to limit the Output

Compressors without threshold knobs. Love em'? Hate em'?

Compressors without threshold knobs ("fixed threshold").

Discuss.

Personally, they piss me off. I don't "get it". First, why would any manufacturer be so lazy as to omit one knob; whats their motivation? Secondly, why would any consumer of said gear want to use it this way on purpose?

What, if any, is the advantage of this design?