Moonshark is NOW accepting submissions atMoonshark.com/projects/dancepad/submit-your-music, for a chance to have yourmusic included in our latest mobile music game, DancePad. A featured app byApple (New and Noteworthy, Featured Games, What’s Hot), DancePad is the hottestmobile music game to hit the App Store. Within 2 weeks of launch, DancePad wasdownloaded over 750, 000 times

Hello, new here and been finding lots of great info but I have something a bit specific. I make electronic music as well as urban beats with the goal to hit hard on the club dancefloors. Currently I hate using my M-Audio BX8a's (which I bought on a whim) in an naturally ok sounding small room (carpets, drop ceiling, tons of curtains). Please help me decide on the monitoring setup.

What do you guys recommend speaker wise for hip hop or Dance music. I need extremyl accurate Bass that is tight and true. I don't want hyped upi sound. I want to be able to mix as accurate as possible.
I have right now JBL-LSR28p's They are cool but i am lloking for something that is louder and a lower extende range say down to 30hz
thanks

hello,

i'm working with synthetic basslines and kick drum making techno music.

i have used to work with plugins to compress the bassline and kick but i would like to invest a money in some good sounding compressor (limiter) and make my basslines and kicks sounding better. i mean analog and punchy.

hi i came a long way in searching for the right monitors for my small 4x4 m room
its very hard to find good monitors that translate good into my room,
first thought of ns10 but there lacking sub support

When I try to get the kick and the clap to work together it just sounds as the clap is placed above the kick..
I want the kick and clap to be like one sound, not two sounds placed above eachother...
On modern dance music songs the kick and clap sounds like one sound..

Hello everybody.

I think, 24 bit is in anyway better than 16, and i think you would hear a difference betwen

a.) recording 30 tracks with 16 bit, mixing it in 16 bit mode with Pro Tools, bounce the whole mix again 16bit and than master the 16bit bounce

and

Hey,

Is there any kind of guideline for how much bass there should be in a bass-heavy dance record these days? I'm thinking vinyl for DJ use -- ranging from underground house to euro-dance type stuff.