I've done a review - but not a normal comparison, but how different mics work better in different positions for different tones and playing styles.

There don't seem many videos on this subject, so I thought I'd make one. In other videos, some of the differences between microphones, and even microphones of radically different prices, was actually quite subtle. To be honest, I usually have a goto mic for recording double basses - an AKG 414, so in this video I deliberately looked for alternatives.

Recently we've had lots of topics on choosing mics, and the usual X is good and Y is bad result soon pop up.

Today I needed to record a double bass for a track in the works, but as I had some spare time I thought I'd go through the mic stock and try mics I'd not usually pick, just to see what happened.

Hello,

In a month begins a recording of romantic and contemporary works for piano and double bass. I meditate to acquire a microphone to record the double bass with guarantees in the register especially and low. I have several AKG 414 but the tests I have performed do not satisfy me.

I'm having trouble getting a natural sound for an Upright Bass (contrabass) in a live room with drums. I've been Micing the bass and distancing the player from the drums by 10 - 15 feet, i'm not an isolation junky so I don't mind getting the tracks a little messy.

I am going to be recording an upright bass for a rockabilly/ska type band. The bass has a pickup and he plays thru a GK amp and a GK 4X10 cabinet. I don't think I will have a hard time capturing the low end, but I am not sure what I should do to capture that signature rockabilly snap from the strings. . Would simply Micing the strings with a condenser do it or is there a better method?