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Beyerdynamic DT770 vs. Ultrasone HFI-780 vs. Ultrasone Performance 840


I'm looking for a new pair of headphones for our church's front-of-house position.
We have 4 different techs and we all have different opinions about headphones.
One guy has a pair of Ultrasone HFI-650s (I think they sound good) and he's recommending Ultrasone Performance 840s (the most expensive of the lot).

AD/DA- SNR vs Dynamic Range


Hey ive been looking into converters for my new master/slave setup. Mainly lynx e44, Mytek Liberty, UA Apollo X, and RME ADI-Pro. The tech specs for the ADI sites SNR, not dynamic range like the other 3 units.

Just wondering what the difference between the two specs was, and why SNR/DR seems to be such an important spec to adda's.


Maintaing dynamic level between recording sessions


I'm recording guitar with an digitech rp 250 processor and Reaper. When i record the guitar I sometimes need to adjust the gain level of the processor so that Reaper has a max level of about -10. Now let's say I want to add to that same guitar part recording but don't remember the gain level I used. What is the easiest way to make the dynamic levels match up?

What do you do to get tight rockin' dynamic mixes?


Hi guys and girls, I was wondering: what is your approach to getting the groove of the track to sound tight? To have that drum sound like a solid block of audio rather than have all those transients flying around. I'm relatively new to paying attention to this, so I'm wondering you guys who've been at it for years have been doing.

Dynamic use of a compressor


Hi fellows,

I was just wondering if anyone use or tried this technique I'm thinking about for several days now.
Maybe it's a common thing but my brain just figured that possibility by itself lately !

Many agree that a bit of compression on the master-bus will glue your mix but what if you want to keep more of the level changes of the song from verse to chorus etc..?