When you get a minute c'mon by. We need some guys with common sense and good ears. Thanks.

http://www.apogeeuser.org/6/ubb.x?a=cfrm&s=49960025

Are we going to have to pay to get you guys to stop by? How much?

Hey Julian,
Just back from NYC, saw Kristin Hersh at the Knitting Factory and it was lovely. So are you still here?

Hey Jules, just wanted to know how your search for the perfect summing solution is coming... I'm still looking at the Dangerous 2-Bus. Have you used it in your studio yet?

Can the Masterlink act as the master and shoot clock out the digital outs to a external da?My da(Lucid) has no wordclock input it gets it's clock via the digital input.Any help would be great.

I'm waiting for:

Firerwire to replace SCSI

Dual processor Mac's full usage

All plugins

OSX to "settle in"

Digital only interface

A cheap 96k session back up unit & media 'standard' to be established

Till then, I got work ta doo!

:)

Hey Jules,

Julian,

Congratulations on your overview of the studio in EQ (p26 Feb issue). It looks really great. I just left a blurb over at RAP about it too :D .

Jules,

Now that you track everything with your FATSO, adding lots of "warmth", would you still invest in a HEDD for your mix bus...if you didn't already have one?

And what exactly does the HEDD add at this point that the FATSO hasn't already given you?

Hi Jules,

I like alternative rock, and I see lot's of posts by you diggin the API 3124 for phating up drums.

Currently I use a UA 2-610 for OH's, and four channels of my Digimax for kick, snare, rack & floor.

If I got the API to replace the Digimax, how would you distribute the API and 2-610 around my six mic kit?

I've read where you said you have some insider info on the new PT. how bout sharing the wealth?