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Active monitor level vs. . board level.

I use Event TR8XL monitors. I leave the volume knobs in the 95% up position. They are connected to an FW1884. The FW has a 'Monitor' level pot which I leave usually in the 50% position. The FW also has a master fader which controls the output from Sonar4. I find that for normal listening levels the master fader needs to be down around the 25-30% position.

leveling kick comp/lim?

I have recorded a drummer with a sometimes heavier foot, ie. the kick is all over the place. how should I level out the kick, compression or limiter, and what kind of ratio, attack and release settings? it is just way too dynamic, I used an old ludwig kick with a D112 into an older Joemeek , good sound just way to dynamic, I don't want to ruin the punch, just a lot less dynamic HELP!

drum leveling

ok so i pretty much have the whole idea of recording the drums and everything, but my question is when putting the levels of each drum mic up on the mixer, generaly what are good levels to have everything at .. such as should snare generaly be at a lower volume then the cymbals, kick be louder than the snare.. if anyone can help me out i will greatly appreciate it. thank you in advance :)

Broadcast levels

Hi everyone,I was just wondering what would be the maximum loudness level for pop music you would want to send to commercial radio stations for fm broadcast.A lot of commercial CD's I've been listening to have a loudness level of up to +13 vu and sound great (some don't),I'm sure this would not sound very nice on radio after going through all thier limiters and other processing.So the main poin

no level

hey guys, i jusy bought the firepod, and it was working great, and then i lost all my levels. all the tracks were armed and i can hear all the audio. but it would not record. the reason it wasnt working was because it said there was no record file, i checked the vst imputs and outputs and everything was ok and the word clock was internal. does anyone know why i dont have my meters now?