I am working with a friend who is producing a *low budget* movie. As someone who has some audio experience he is relying on me to produce his movie score and also be his audio engineer for filming.

Hi microphone lovers! I wrote some articles and created sound clips for a bunch of microphones on Gear-Wiki. I thought I'd share the links as I hope this can be useful.

Articles:

I have an 8in/8out audio interface. I'm planning on buying a 2 channel microphone pre-amp to spice up 2 channels on the interface. I wanna hook up an equalizer to the pre-amp so it's not just a flat signal. I'd have to go OUT of pre-amp to audio interface IN to activate pre-amp. Do I connect the OUT of the EQ and connect it to the IN of the pre-amp on the back?

Hello,

I'm currently trying to do some vocal recording with my new microphone (blue yeti - best mic I could afford etc etc).

My problem is I have a rather large voice (professional classical singer) and I'm not sure how to set hardware/software up so I don't peak as much while I try and record assorted pieces.

I'm using Adobe Audition with the Blue Yeti.

I posted on this board a while back about what equipment to use to locate a singing bird within a microphone array. I purchased stand alone units from wildlifeacoustics.com to do everything I need (omnidirectional mics, gps for time syncing, and sd card for .wav file storage). We are going to have a total of 6 microphones.

Hey everyone,
Could someone help me out with this/walk me through how it's solved?

The Beyer M-160 has a sensitivity rated as
-52dB (0 dB = 1mW/Pa)
and a rated load impedance of 200ohms.

The Sennheiser MD-421 has a sensitivity given as
-54dB re: 1V/µbar.

Which of these microphones is the more sensitive, and by how many dB?

Thanks!

Plugged directly into the camera (Sony V-1), the single stereo microphone apparatus enables accurate real-time passive auralization capable of broadcasting full spectrum 360 audio without any DSP processing whatsoever.

Set to "reality" volume for best experience with headphones or in the "sweetspot" of conventional speakers.

Hi everybody,

Hi,

I am going to start off by saying I am a pHD student in evolutionary biology, so my knowledge of acoustics and what not are minimal at this point. I am enrolled in an engineering noise control class this semester to fix that.

What is the strangest place you have used to get that exact sound you or some producer was looking for. What place was it,closet,barn,Oven etc. and what did you use to get the sound?