Will a microphone with a frequency response of e.g. 50-15000 Hz not capture anything at all above 15k?
Hello! Been a while since last time I posted here.
In all my years of recording I have never bothered to learn what the specified frequency response (FR) of a microphone really means. I have always thought it means that the mic wont capture anything outside of the FR range, but is that really true?
A bit of light-hearted fun for the folk who are interested in microphones. I was hunting for a mic this afternoon and realised I had a few that were either old or less common - 17 mics arranged from tallest to shortest. I've blobbed out identifying marks to a degree. Some should be very easy - but getting 17 would be pretty hard I think?
I've been ask a few times lately about what model would be the best to order from MicParts. So in this video I test 3 mics, the T47, T12 and S87
At 2 min, I made a mistake and mention the U87 but it's in fact the U47 ;)
Let me know what you think !
I have a Groove tubes model 6tm. It has a chinese K67 capsule and a cinamag transformer, I replaced the tube on this mic with a 5840 / 6225, Pentode, Sharp Cut-Off from antique supply and it sounds okay to me. I really took my time and labeled everything, but it is noisy.
This is an interesting set of interactive demonstrations showing the effect of microphone positioning relative to a performer. All the extracts are recorded using DPA4006A omni microphones in A-B configuration in a good acoustic.
Recently we've had lots of topics on choosing mics, and the usual X is good and Y is bad result soon pop up.
Today I needed to record a double bass for a track in the works, but as I had some spare time I thought I'd go through the mic stock and try mics I'd not usually pick, just to see what happened.