I am researching budget-priced (under $200) condenser microphones for recording vocals. I am looking at the Oktava MK012 and MK219, Behringer B1 and B2, and the Global Audio GXL2200. Has anyone used these specific models? What type of results can I expect with this class of mic? Also, are there any great internet resources for researching microphone performance?

Just heard the Royer Labs demo CD, and I must say that the Schoeps 221B mic sounded SWEET on classical guitar! I couldn't find it for sale anywhere (I guess cause it's old), but on the Schoeps website directxfiles.com, it said that they have a NEW "improved" version called the M 222 B. Does it really sound as good as the 221?

Since I know Harvey is partial to them, and a few others here are as well, I thought it'd be worth mentioning that Radio Shack has these mics on sale for $30 a pop. If nothing else, get a few and sell them to the next band that asks you if you can help them with their live setup ;)

I have a chance to score the Beyer kick mic for $125, and the Cad for $30... anyone know if these are decent mics. I like Beyer stuff, I just want to know if this is one of the good ones or not.
Cant find a price for the TGX anywhere though so I dont know what its worth...
Thanks!

i'm looking at getting a pair of AM52's because they are only $199 a piece right now at musicians friend. i want a pair of mics with switchable patterns. i'm going to mainly use them for recording string quartets, vocals, other acoustic combos. price does matter, so please don't suggest i go get a C12 or something like that. thanks.

I have a RODE NTK and this mic has a tendency to overload far too easily... Even when recording a quiet amp I get cuts in the sound! Does this happen to anyone else? I was under the impression that RODE 's microphones had an amazing SPL tolerance.

Is it a possibility that it's just disagreeing with my preamps?

I have two Elvis mics Shure 55C and 55b and Voice Box. I can not get enough gain out of them for thelife of me. the 55C is 100.000 ohms. Should I get some sort of impedence converter? How does this work?

Mic choices for recording an acoustic guitar? Maybe your top 2 favorites

Went and tried the km184 on bass drum. One take was six minutes of nothing but clips. Could I have damaged the mic?
:roll:
Ted

What about the compression?I don't mean for the Sub-mix,just separate.When yes,tube or with a plug in?Can anybody help?