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How do you get a radio friendly mastered sound?

hey there ppl.

i've been trying for some time now to get a more punchier, crisp, louder final result, but after I master my songs, then play them on a stereo, it's always quieter than radio songs. But if I boost the signal anymore on the program I use, which is Cakewalk Producer, it will feedback and distort.

Radio Broadcast-String Quartet and a last minute request

Yesterday I did a string quartet live broadcast/2 track recording for a classical radio station near here. I used a pair of AKG Blue Line Cardioid microphones in a coincident-pair arrangement. I placed the microphones about 8 feet in front of the quartet and about chest high. The recording and broadcast came off very well*.

when my mix is played on the radio it sounds like crap..

Forums

i'm curious as to what i can do to make my recordings not sound like crap when they go through the radio's compressors and limiters and whatnot. i want to keep my mixes dynamic, but what can i do to the whole thing to make it not sound like crap when it runs through those compressors? should i fight compression with compression? and if so how?

Mastering for radio vs for audiophiles

I do transfers from vinyl to CD. The ones that I've done for regular people, they just love. However, when I've done it for someone who tells me they are an audiophile, I either don't get a second call or they tell me the sound that they get with their ultraexpensive turntables (think LINN) sounds more alive and real.