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Explanation of recording in stereo channels vs mono?

Hi,
Can someone explain exactly what happens if recording two mics as "Stereo" on the mixer, compared to two mics defined as mono, using the pan function etc.? In other words, when people describe XY, etc., I assume they are saying to define both mics as mono right? What does the mixer add then when defining as stereo, in same XY?

I want good vocal recordings.

stereo to mono?

Just wondering if there is any reason to record in stereo if I'm then combining track with other mics and mixing down to mono.

I'm recording acoustic jazz bass with 2-3 mics and then mixing into a mono channel to use pan and use in a mix. Is there any difference in fullness of sound to mix stereo into mono vs just combining a few mono mic tracks?

Thanks!

Splitting a stereo track into two mono tracks?

Hello:

I am doing some recording with a 4 track handheld recorder (Zoom H4n). It creates two stereo wav files (Mic L-R and Instrument L-R). Once I import the files into two stereo tracks in Cubase 4, I would like to split the stereo files into 4 separate tracks.

Is there an easy way of doing this? Thanks!

Record tracks in stereo or mono?

Hi guys, what do you normally do for this? It seems that in all my mixes, even if I pan something 100% to the right, it doesn't sound like it is way over there. Then I listen to a professional song and they just have such a brilliant space that I can't seem to achieve.

Vocals?
Electric Guitar?
Bass? (I imagine yes for this one)
Acoustic Guitar?