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Hi, my name is Gustavo and I am new on this forums.

Hello,

I am a musician and I'm graduating as a composer/conductor.

Now I'm doing a research about how the conductor works during a recording session.

If somebody here have experience in recording orchestral music and could help me I will appreciate.

Thanks.

Here's a good article from washingtonpost.com by Don Henley. Mr Henley doesn't offer detailed or concrete solutions, (and most RO 'ers can read what they already know), but instead, its the national exposure the issue gets here thats important, I think.
CIPO - OPIC
You have to register, but its free.

Tommy P.

:p:

What are the pros and cons of exporting music in software? I think it's a good idea to send to a external recorder but I am in the process of acquiring the funds to get a masterlink. any info?

As the subject says, I'm interested in what some averages/expectations are to pay musicians in the studio; or be paid myself which would be a LOW rate, I assure you (if you've heard me play...)

I'm in college and I plan on recording some songs soon and I will be using some people on campus to play a string part on some songs. If I use these people should I pay them a one-time fee? Do they get a cut of sales? What if they did it for free, but I magically made it big and sold a lot of recordings, could they demand a cut of the pay?

Hi Everybody,

The 19th issue of my free music technology newsletter is now available. In this issue, you'll find some cool info about Cakewalk's new Sonar 3. You'll also find a great article about where to find some of the best free music software on the Web.

Hey Seb, as you must know, the Australian Christian Music has become a great success, with the Hillsong Church and Darlene Zchsec...do you know something about the recording system they use in their live recordings?

Greetings from Venezuela, happy holidays...

Aziel

Any advice would be much appreciated: