Greetings
I am considering buying these mics... i know they are highly inexpensive,but are they worth having to record drums that will sound clear and full?

http://www.musiciansfriend.com/srs7/search/detail/base_id/51904/src=00631

So I got a surprise late birthday check from a relative and I have decided to treat myself to a mic purchase for my modest home set up.

Most of the stuff I do at home is for myself, friends or local singer songwriters who don't have the budget to go into the big studio. My set up at home;

I have the effect unit and The Manual that came with the unit says I can download the DRFX.EXE program from Nady's WEB site but I'll be damned if I can find it. Anyone know where I can get the program

hey folks!

i'm trying to figure out which (budget) condenser mic to buy...i was on the cusp of ordering the MXL 990 (from musician's friend), when i read some reviews complaining that the shockmount is cheap and doesn't work well:

Its stupidly cheap and will likely live up to that standard. Its suppose to be a replica of a vintage model butwe know how that works. :)

I just put them up, in a decadent multi-mic scheme, and ended up using as much of them or more than any other mic! Here are some clips.

Clip 1

Clip 2

Details and pictures of the setup.

I just need some opinion about this mic,mayybe an A/B with RODE NTk1 or ntk2 because I have oportuniti to bay it for 350 euro(about 450$).

Thanks in advance

This has probably been discussed add nauseum here, but a search didn't turn up much. I'm new to the forum, but not that new to recording. Have any of you tried out the Nady 1050? I can't seem to find any pro reviews in any of the gear magazines. The feature set is quite impressive, and it makes an interesting platform for mods.

I record without a board direcly into two Aardvark Q10's into Sonar 2.2 XL.

I have some nice compressors I can use later in mix down, but I just bought my first outboard compressor, a NADY CL-5000.

Would anyone be willing to share some pointers on how to get started using it for two applications:

1. Bass Guitar recorded DI
2. Vocals

Both are multipatten (omni, cardioid, & figure 8) with tiny switches for pattern selection, roll off, and a -10 dB pad.

The Nady is similar in construction to the Marshall V67G except with a shorter, heavier body, and a U87 type grille. The SP C3 is built exactly the same as the C1. Each had 5 transistors.