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Royer SF-12 on overheads

So my Royer SF-12 came today. I'm in love. Tried it on drum overhead. Just the damned stereo mic 2 feet over the center of the kit in Blumlein. I'm blown away. A beautiful image of the whole kit. Best picture of the cymbals I've heard. Lovely natural sound of the toms. For some genres I guess you'd mic them individually, but not for the country/folk/blues/Americana stuff I'm doing now.

using ultimate support lighting stands for overheads Choirs

I'm going to be needing help over the next month preparing for our cities Royal Conservatory competition choirs.

This is my first time recording choirs.

I'm needing overheads sometime here or in the future so I'm wondering what you all recommend I should buy or can I use these?

C414 XLS vs C414 XL II for Overheads

This is the kind of post I hate to make because I know the real answer is "listen and decide for yourself" - but I have to special order some mics in and will not be able to A/B them. I'll be using these for lots of applications, but their primary use for me is going to be as drum overheads, that's where they'll live 95% of the time.

How/Can you get a good overhead sound from a spaced pair of se 2200's

I know I should have asked the question here first, however, I was sold these mics as being the best I could get in a £400 (roughly) budget. It was made clear to the seller that I Ineeded them primarily for drum overheads, obviously if they came in handy for other instruments/vox that would be a bonus.